February 21, 2022
The relationship between aesthetics and politics, art and activism and even performance, oppression and […]
December 20, 2021
After a COVID-induced break, we are now pleased to welcome Louise Meintjes as speaker and key discussant for our 3rd Anthropology of Music Lecture Series and Master Class, 13-16 July, 2022, at the Department of Anthropology and African Studies, Johannes Gutenberg University, Mainz (Germany).
June 20, 2022
Drawing on my longterm study of Zulu song and dance, I discuss instances of forceful ngoma vocal performance that have prompted me to think about the idea of breath and aesthetic vitality, limned by violence during the global turbulence of the last two and a half years.
June 20, 2022
A collaborative experiment at lifting my ethnography, Dust of the Zulu, off the page into a multimedia installation raised questions about the risks, challenges, promise and pleasures of multimodal ethnographic work about song and dance. I address the process and outcome of remixing the aesthetic, sensory and political registers of the book as a form of reciprocity and participation in a public anthropology of the arts.
June 20, 2022
I explore the aesthetic value of cattle in Zulu song and dance, including in courting and wedding rituals. Worsening drought, floods, overgrazing, unemployment and inflation (exacerbated by the pandemic’s wrath), and a legacy of violence point to a time of dire economic contraction in Msinga, KwaZulu-Natal. Yet largesse that includes cattle prevails. I listen in to celebratory events to consider this seeming contradiction.
March 20, 2023
How does popular music negotiate the legitimacy of political violence, and how do political actors refer to violence in musical practices? South Africa’s historical struggle against the racist system of Apartheid and the country’s vibrant music scenes make it a highly suitable case through which to explore how musicians, activists, politicians and wider audiences negotiate uses of political violence in and through popular music.
February 23, 2021
Tonträger im allgemeinen, aber besonders die frühen Formate, also v.a. Schellackplatten, vermitteln einen Einblick in den Musikkonsum in afrikanischen Ländern während der jeweiligen historischen Epochen, über den nur wenige alltagshistorische Studien vorliegen.
December 18, 2020
Here you can find some of the extended abstracts of our participants [...]
December 16, 2022
This PhD project explores the ways in which the Brazilian music and dance genre Forró offers a space for imaginations that engender certain ways of being and identity formation. With a focus on nature and nostalgia, a special interested lies on the deeper connections between the experience of this music and particular lifestyles in northeastern Brazil.